Since Il-Ħaġar is now closed because of the latest health restrictions, current temporary exhibitions have been transferred online. Though the management appreciates that it is not the same experience as being present physically, this should offer some idea of what was available. “Twilights” features sacred art by Aaron Formosa. Basically a self-taught painter, he was born in 1980 and has participated in various collective and solo exhibitions in Malta and Gozo. His works can be found in private and public collections, locally and overseas. In his art, Formosa aims to capture the intensity of transient emotions and communicate these experienced moments. A crepuscular light pervades these paintings in such a way that the loosely painted figures seek to manifest themselves in this aura of semi-darkness. He teaches philosophy, in which he holds a masters degree, at the Sir M. Refalo Sixth Form.
All the paintings are for sale* and can be seen in greater detail by clicking on each separate one. Kindly send an email to firstname.lastname@example.org if interested in acquiring any of the paintings still for sale.
Since Il-Ħaġar is now closed because of the latest health restrictions, current temporary exhibitions have been transferred online. Though the management appreciates that it is not the same experience as being present physically, this should offer some idea of what was available. Joseph Vella and Oliver Friggieri: A Meeting of Minds, set up for the third anniversary of Mro Vella’s demise, is a documentary exhibition offering an overview highlighting collaborations between two greats of the Maltese art scene. Is-Surmast’s Music Archive, which he donated just a few hours before his passing is also available for research purposes and can be visited on level 3.
The posters below can be enlarged by clicking on them.
We regret to inform you that in view of the new COVID-19 restrictions imposed by the Government, Il-Ħaġar Museum will be closed with immediate effect until 11 April 2021. However, one can still admire its Lenten displays online.
One of the exhibits include hundreds of miniature clay statuettes representing a Good Friday procession. The statuettes were made by Joseph Agius, Paul Muscat and the late Lino Fardell, long-established Christmas crib artisans. The idea of creating this artistic Good Friday procession was, in fact, developed within the circle of presepisti and pasturi artisans. There are figurines of various styles, representing both the strictly traditional devotional procession and the modern pageantry type.
Vexilla Regis, housed in a showcase on level -1, has an impressive range of Crucifixes, from different periods and in assorted styles.
An exhibition of sacred art -Twilights – by Aaron Formosa is also available to view online. The theme of the exhibition is human existence in the light of Christ – the spiritual light which enlightens the human condition and makes it meaningful.
Il-Ħaġar Museum is also commemorating the 3rd anniversary of Mro Joseph Vella’s demise with an exhibition about the collaborations between him and another Maltese great who passed away last year, Profs Oliver Frggieri. Joseph Vella and Oliver Friggieri: A Meeting of Minds includes a number of posters regarding the two works, Rewwixta and Il-Belt Rebbieha.
This artice by Goeffrey Attard was published as an art opinion piece on Times of Malta, to commemorate the launching of the 10th edition of “Il-Ħaġar Gems Series ”
PAINtings Il-Ħaġar Gems Series No. 10 by George Scicluna, edited by Joseph Borg & Maria Frendo
“Pain is God’s megaphone to rouse a deaf world”. This is what renowned British author C. S. Lewis of Narnia fame wrote in his famous book The Problem of Pain and this is what came to mind as I visited Il-Ħaġar Museum in Victoria (Gozo) for the inauguration of George Scicluna’s exhibition PAINtings.
The choice of the name for the present exhibition has a history of
its own. Scicluna, together with our common friend and fellow painter
Aaron Formosa and myself, were visiting Venice for a short holiday and
both friends wanted to make the best of the time we had together by
visiting as many art galleries as possible.
Back in the hotel at night-time, the discussions focused on the
various painters and portraits we had seen on the day. We reflected on
the first four letters of the word ‘painting’ coming to the conclusion
that one cannot create a painting without first going through the
experience of pain.
Scicluna’s philosophical outlook on life is reflected in the
paintings that are featured in the present exhibition. This comes out
clearly in Mgr Joseph Farrugia’s foreword to the publication that
accompanies the exhibition when he refers to the painter’s “never-ending
Scicluna’s paintings are fascinating. He is able to immortalise
particular moments in time and space in such a way that they become
iconic. Even his most intimate paintings are inviting in such a way
that the spectator feels that he is part of it himself. There is a
vibrant intimacy in Scicluna’s paintings.
The beholder is hooked without being harmed and transported to the
very moment so brilliantly captured in the particular painting. His
Before the Procession presents a quasi-playful and decidedly joyful
scene which is a distinct feature of the proceedings; the same can be
said for his Celebrating St George’s Feast and the more profane Inland
Sea Dwejra Gozo.
In his penetrating foreword, Mgr Farrugia clearly states PAINtings
presents us “with a case where knowing the artist allows a deeper
insight into his art”. In fact, some of the individuals appearing in
these paintings are so vividly presented that the paintings radiate a
life of their own.
In his exhaustive presentation, art critic E. V. Borg concludes that
“although autobiographical, the work has a universal and cosmic
dimension”. The fact that some of the paintings feature different places
in Victoria and in Gozo endears in no small measure our painter with
the local community. However, Scicluna’s ‘universal’ dimension is not
to be underestimated.
PAINtings reveals Scicluna’s dynamism at its fiercest, impacting the
senses without alienating the spirit. This is due to the ‘paradox and
polarity’ that characterise most of his works.
This is another de luxe publication in the series, a glowing testimony to the brilliance of the artist and a trademark of the high standard achieved at Il-Ħaġar Museum and Cultural Centre at the heart of Victoria.
Il-Ħaġar museumkept to its custom of presenting concertinos also during this festive season.
The first instrumental and vocal recital, “Christmas Charm”, was held recently. It featured two sisters, accompanied by pianist Francis Camilleri. Valentina Rapa performed works on her saxophone alto, followed by soprano Antonella Rapa.
Festive activities at Il-Ħaġar Museum, in Victoria, continued with a concert of Christmas carols by a group of choristers from the Laudate Pueri Choir, under the direction of George J. Frendo and leader Maria Frendo. Titled “Gloria in Excelsis”, the concertino featured carols and motets arranged for four female voices by David Willcocks and Joseph Vella.
The concerts were supported by the Gozo Ministry’s cultural heritage directorate.
‘The Privileged Outcasts’ – the title of a ‘pasturi’ (crib statuettes) exhibition held over Christmas period at il-Hagar -, refers to the shepherds who were considered as inferior members of society. However, they were the first privileged to be given the news of the birth of Jesus.
Works by pasturi artists Lino Fardell, of Żejtun, and Carmelo Agius, of Pietà, both deceased, are being exhibited.
There are also creations in clay and papier-mâché by Agius’s son Joe and the late Manuel Axiak, of Tarxien. Figurines, modelled in Maltese raw clay in the 19th century, were also on show.
Carmelo, George and Saviour Farrugia – sons of the late renowned Gozitan artist Lorenzo – are also represented.
Gozitan Joe Camilleri, with his terracottas, and Paul Buttigieg, of Lija and who moulds pasturi in wax, also have works on display.
The pasturi come from the collection of George Cassar.
As part of this exhibition, the museum also set up a traditional crib by Carmel Farrugia.
This exhibition was part of the Christmas activities organized at the museum, and was supported by the Gozo Ministry’s Cultural Heritage Directorate.
On the 23rd of January 2020, il-Hagar Museum hosted another book launch, this time by Maltese researcher Simon Salafia. The “Place Names of Gozo” is the title of a volume which presents the results of Salafia’s long-time efforts to collect place names in Gozo.
A graduate in electrical engineering, Salafia has widened his interests to languages and historical research.
These well-nigh six hundred pages offer over nine thousand toponyms –
also classified according to locality – through the perusal of an
impressive range of sources. Details of the locations and descriptions
Over January and Febuary, an exhibition of vintage lovers’ cards by the Gozo Philatelic Society was on display in our philatelic showcase.
The exhibits are mostly from the World War I period featuring mostly
servicemen. The cards are mainly hand-coloured with a few having gilding
decorations. Examples include one card chronographed in Berlin by
Raphael Tuck and others produced by Dresden’s Stengel and Platine Noyer
Being 100 years old, the cards are of special significance to people who research social aspects.
The exhibition has also been featured on the national newspaper Times of Malta